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Even with those short runtimes, however, projecting monster movies during the '30s and '40s came with a tradition called cue marking, otherwise referred to as "cigarette burns." While 1930s film stock was usually in 1.37:1 aspect ratio, Giacchino's homage is in the more modern 2.39:1, but it appears that he's also tributing the ways in which they were initially shown
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