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most of these were political alliances and since Aurangzeb has opened war fronts with the Sikhs
this painting is the sole signed and dated piece in the collection (1630-32)
The principal inscription of the painting tells us that even though Shahs and Kings stand before the Mughal Badshah
in what is now Uzbekistan
While Abu al-Hasan’s career aligned with developments in the style of Mughal paintings
Maharana Amar Singh II with his consort Palace Gardens of Awadh most of these were politicalJTNDdWwlMjBjbGFzcyUzRCUyMm5hc2EtdGFicyUyMG5hc2EtY2xhc3NpYy1zdHlsZSUyMG5hc2EtY2xhc3NpYy0yZCUyMiUzRSUwQSUzQ2xpJTIwY2xhc3MlM0QlMjJuYXNhLXNpbmdsZS1wcm9kdWN0LXRhYiUyMGRlc2NyaXB0aW9uX3RhYiUyMG5hc2EtdGFiJTIwYWN0aXZlJTIwZmlyc3QlMjBsYXN0JTIyJTNFJTBBJTNDYSUyMGhyZWYlM0QlMjJqYXZhc2NyaXB0JTNBdm9pZCUyODAlMjklM0IlMjIlMjBkYXRhLWlkJTNEJTIyJTIzbmFzYS10YWItZGVzY3JpcHRpb24lMjIlMjByZWwlM0QlMjJub2ZvbGxvdyUyMiUzRSUwQU1hdGVyaWFscyUyMFVzZWQlM0MlMkZhJTNFJTNDJTJGbGklM0UlM0MlMkZ1
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